Tag: Creative nonfiction

  • Thoughts about Tension – Blessing Obiahu

    Tension should not be the umbrella word for that jolt that reverberates through your bones and skin when you brush a live wire on a day IKEDC forgets to flick the switch off in your zone because it does more than reverberate; it constricts, twists, flings, kills if there’s no one around with a plank to whack you free of the copper. 

    Countless other tensions—unseen but ever-present—coil around our necks like floats as we struggle to float. The worry lines stretching on Mum’s brows, each furrow a map to a different concern; scraping together school fees, putting food on the table, beating Iju Road’s daily traffic, balancing this tilted scale.

    For Brother Mark, it’s the pressure he feels to succeed in a fiercely competitive job market; forcing him to change the 0 in his 1990 YOB to 8 and swear affidavits outside the High Court in Ikeja. Sister Franca doesn’t talk about hers, but I know it. She feels it in the questioning eyes that gaze at every educated but unmarried Nigerian young lady.

    These tensions, unlike the electric shock—if  you survive—that fades with time, become a chronic state of being, like the refrigerator hum that persists even when the power goes out. It’s something I know kall too well, but, perhaps, not well enough. It’s like feeling both overdressed and underdressed at the same time.

    Sometimes, it surfaces as a nagging voice that questions if this path—this career—that I have envisioned, along with the thousand other lawyers that are called to the Nigerian bar each year, is what I truly want. The problem is, this tension—this nagging voice—stays tucked away in a quiet corner of my mind until moments that truly matter.

    Moments like when I’m about to stand before a sea of black-and-white-wearing gents and have my five minutes of fame. Or shame. But my mind fixates on the latter. Suddenly, I start to think of who is smiling at me, who isn’t, and why. Then, the thoughts drift to whether they are staring at my figure and judging whether it fills out my tight black skirt, wondering why my figure is the number 5 rather than the number 8. I’m cursing myself for choosing to wear the skirt today of all days, instead of the loose, pleated one that earns me a warm “Sister Amaka” from Sanisa whenever I walk into the faculty.

    I manage to regain a semblance of control and wrestle my attention back to the present. The next thought that pops up is which one of the stern-faced men in black suits—the panel—will throw a question at me—a question that will throw me off the balance I’m managing to cling to, out the window, with the burglary proof flying out with me.

    The absurdity of wondering why I’m the second person called when my surname starts with O makes a bitter laugh rise in my throat. My shaky legs carry me to the front of the hall, a silent plea escaping my lips for my worn-out soles to hold strong, to not give, to not have the last laugh. Not right now. At least. 

    Every thought except the one I should be focusing on—my internship defence, which I spent all night rehearsing in front of the mirror, the wall, and even the mirror with my bedspread draped over it—floods my mind. But here I am, my mouth already blurting out where I interned and the fact that the experience was “more observational than participatory.” I see some heads nodding in agreement, but their faces remain a blur. Still, this tiny acknowledgement fuels a surge of confidence, and my feet feel a little more grounded on the linoleum.

    But a new anxiety creeps in: the fear of my tongue twisting and betraying me with a grammatical blunder. This time, not before a handful of classmates, but the entire faculty, junior colleagues included. Relief washes over me as the words start flowing effortlessly, like a waterfall. I even manage to sprinkle in a few jokes, and, to my surprise, they laugh. 

    As I conclude, I’m met with thunderous applause. I bow, attempting a discreet exit. But the Dean calls me back and asks a few more questions like, “Who was your assistant in the crowd that prompted you at some point when you forgot a word to use?”, and everyone is laughing because no one comes forward when he says he has a prize for the person. I start to wonder why he has a prize for the person, but not me. Then he asks everyone to give me another round of applause and I return to my seat, amid cheers. 

    The weight is finally off my chest, the nagging voice silenced. But in its place is something more sinister: a  rewind-and-replay voice that compartmentalises every bit of my performance, though this one runs in the background like those data-draining apps on my phone.

    I sit back and watch the others go out one by one, oozing every bit of tension I and the predecessor must have manifested, and I’m smiling, grateful for how quickly the cup passed from me to them. Then, I realise it’s the word I’ve been searching for:  the cup. The phrase, rather. It’s a bigger umbrella term  than tension. Tension is the wine bottle umbrella I carry around in my tote bag, but ‘the cup’ is the bigger umbrella; the type those POS operators you meet at every five-minute walking distance sit under, come rain or shine.


    Blessing Obiahu is a literary enthusiast and law student at Alex Ekwueme Federal University in Ebonyi State, Nigeria. Her work has been featured in the 2021 Nigerian Students’ Poetry Prize anthology, Black but Famous (now Kaassa), Loana Press, Challenging the Writers, and forthcoming in Anarchist Fictions Journal. She is also the founder of D’LitReview, a literary website, and works as an SEO content writer.

  • Grieving Without Borders – Nwajesu Ekpenisi

    Grief is like the ocean. It comes on waves ebbing and flowing. Sometimes the water is calm, and sometimes it is overwhelming. All we can do is learn to swim.
    —Vicki Harrison.

    The humid Saturday morning’s chilling breeze slapped me beneath the cashew tree where I stood waiting for a motorcycle, and my skin prickled with goosebumps. My eyes drank in the sight of the leaves rustling on the tree and the red fruits draping over its branches.

    Like a sentinel, the tree lined the main road leading into the driveway of a nearby hospital. I massaged my arms, dispelling the tingling sensation that caressed my skin like a lover’s steamy kiss. But I knew what it meant. This sensation that had become all too familiar—this feeling that often preceded an experience, so poignant, I know will linger with me for a while.

    Behind me, the slapping of slippers against the tarmac driveway grew louder. I whirled around to see two women halt at a palm tree close to the hospital gate. One of them suddenly began to scream. The goosebumps returned, this time, pervasive, accompanied with a sting in my eyes. I blinked, and kneaded my arms again.

    Sighting an approaching motorcyclist, I flagged him down; and as soon as we started to bargain, an ambulance zapped past us. My skin erupted in more goosebumps. The woman’s bawl intensified. In sync, the motorcyclist and I were lost in the gaze of the screaming woman.

    There was something eccentric about the way the woman wept and screamed. Clad in a black sleeveless button-down shirt on black trousers, she stood beside the other woman, who I assumed was her sister, who was similarly garbed in black. The woman’s sister took a few step forward, phone pressed to her right ear, and sat on a hedge next to the palm tree. She was mumbling with a breaking voice, but I couldn’t make out what she was saying.

    Unlike her sister who wasn’t screaming but had eyes flooding with tears, the weeping, screaming woman’s face showed no evident sign of one who had been crying—or was crying. For one who was as fair as she was, it was puzzling to see that her face betrayed no hint of her distress—her face was ‘unreddened’, her nose ‘unrunny’, her eyes ‘unsunken’, with no tears cascading down.

    Yet, she bewailed repeatedly in her native dialect—“My lovely mother is dead o! Death, why did you take my mother?”—and her voice was laden with a dolefulness that melted my heart as I hopped on the motorcycle.

    A man was ambling by, whose appearance I didn’t quite capture. He gawked at this woman, a look that passed for a glower. Or so I perceived. The disdain in that look was palpable, one that showed how contemptuous he was of the manner the woman screamed and wept.

    When he sighed, and our eyes met, I saw the detestation on his face. I imagined this man repeating in his heart the question the motorcyclist hurled at me as we veered into the main road, the same question someone had asked my friend, Evans, at his father’s funeral, where we sat under a canopy.

    “How can anyone claim to be mourning a loved one with no tears in their eyes? How can people know that they are truly pained by the loss when their body language shows no intimation of sadness?”

    At Evans’ father’s funeral, after the corpse had been laid to rest and candles lit upon the grave, as it was their custom, we sat together, laughing, as we recalled beautiful moments we had shared with his late father—those days he would regale us with stories of the Nigeria-Biafra war—and how we would miss his jokes.

    While at it, our sorrow momentarily fading, replaced by warm glows, a young lady, one of his cousins, walked up to us. She glared at us for a while and then said, “Evans, you don’t look like someone who is grieving. How can someone claim to be mourning a loved one with no tears or sadness in their eyes?”

    “But I’m mourning,” Evans said.

    “Like this?” His cousin cocked a brow. “Since your father died, your body language has been saying otherwise. Are you truly pained by this loss?” She hissed and beat a hasty retreat as soon as she lobbed the question at him.

    First, I shook my head at how benighted—of grief—she was, or anyone could be. “Why did she say that?” I asked Evans. “What does she mean by ‘your body language has been showing otherwise’?”

    Evans shrugged. “This is the second time she is saying this.”

    “Really?” I sighed. “What gave her the impression that you are not mourning like everyone else in the family? You must have done something for her to think that way.”

    “I guess it is because I have been hiding my pain.”

    “What do you mean by hiding your pain?”

    “At school, when I received the call that Papa had died, I was very calm. I maintained that calmness, that composure, when I visited the village and was taken to the morgue to see his corpse. I have been calm till this day. But my cousin thinks that I haven’t been grieving because I didn’t react the way she expected, you know, crying like other members of the family. She thought I was just being a strong man or being impish, but, to be honest, I have been holding back from exploding.”

    “She should have known that this is how you grieve,” I said.

    “I don’t think she has an idea,” he added, eyes glued to the DJ at the other end, who cued up a
    song. The air came alive.

    Sadly, in my hometown, rigid expectations are imposed on people on how they should express their sorrow, and how a person’s grief should be measured. We are told that a man overcome with sadness is the one who tearfully expresses his pain for others to understand the depth of his grief.

    We are told that grief is something that is visibly written on the face and must be evident in one’s voice. We are told that the ones who hide their emotions behind a mask of stoicism, who put on brave faces, despite being deeply affected, are simply pretending or just being impish or have a skeleton concealed under their cloaks.

    We are also told how to grieve here; it is read out to us like a code of conduct in funerals and family meetings after the death of a loved one: The men are to cry to show they are pained, but not too much—because masculinity demands them to be stoic and strong, and not be too loose.

    If a man shows too much emotion, he is labeled as “one who weeps like a woman”. Then, to the women, it is expected they show too much emotion. Their cries must burst forth like stormy sea. Their screams must be loud enough to deafen ears. If these are not done, their grieving is incomplete.

    “How do you grieve?” he asked, our eyes locking.

    The question clinched a chuckle out of me. “You don’t want to know.”

    “I’m interested,” he smiled. “Tell me.”

    The question made me recall things that I had bottled up inside me. The first time I knew what grief is, the first time it shook me to the core, and left me profoundly shattered for days, I was seven. We had just lost our Landlady. The news of her death, when she was brought back in a coffin two weeks after she left home sick, wrung my innards like strings knotted together.

    I didn’t wait to see her corpse in order to confirm that she was dead, I could tell from the weeping faces of her daughters and grandchildren, the groaning of her sons, the silence of her husband, and the solemn mumbles of other tenants and neighbours.

    As soon as the funeral hearse hauling her corpse barreled into the compound and everyone rushed to welcome it with broken hearts, I ran inside with my broken heart, huddled beside our bed, and bawled my eyes out. I cried because such a good woman had finally left us. I cried because she was a mother after my mother. She was ‘love’. She was ‘kindness’ cloaked in human flesh. I let the pain stewing inside me to win. I was helpless. I let it sear my eyes, until my tears poured like a libation. I let it drain my strength until I slept off.

    Later in my dream, in my subconsciousness, while the funeral dirges played in the compound, I was with her in a garden of beautiful dandelions, gaping at her in a glowing robe.

    “I’m not strong in the face of grief,” I replied after a long silence. The DJ spun a new track.

    “I’m a weakling.”

    Being a weakling is not the same as cowardice. To be a weakling doesn’t mean you fear what you appear weak against; rather, you acknowledge your limitations, you recognize that resistance sometimes is futile, you understand that your efforts would be in vain, and that even trying wouldn’t change the outcome.

    Evans let out a croaky laugh.

    “But I know that no one is strong in the face of grief, no matter how we choose to hide or express it,” I added.

    Grief comes with a raw and scraping vulnerability—a ‘vulnerability’ so strong it claws your heart apart, so strong that it feeds on your strength until you are left bare. It’s in the failure that comes after an exam, the pain of losing a lover to a total stranger, a betrayal from a friend. It is in the act of loving the wrong partner, in unrequited love. It is in the face of rejections, even when you know you are good at something, yet you are still turned down. It is the pain we don’t speak about, the pain that burgeons underneath our skin after a loved one’s death—the worst kind of pain.

    “We are never strong in the face of grief,” Evans concurred. “No matter how we exude strength.” I nodded.

    The next time I lost a loved one after my father and before my grandmother, who I loved so much—which prompted me to beg God for pardon, for healing from these losses—was in 2014.

    Charles was his name. A dear Christian brother from my local church. We were both transitioning out of teenage phase, but he was older than me. When I got to know him, he was the sweetest soul one could have as a friend. I loved him deeply, just as he loved me. He taught me the raw beauty of selflessness, of putting others before oneself. Unfortunately, at the peak of our blossoming friendship, he was diagnosed with a kidney disease.

    The morning I learned of his death, I didn’t leave the house for two days. I prayed fervently for his resurrection, the way we were taught to pray in church when we desired something. I desired to have my friend back. I went without eating. But as I prayed, I felt the futility of it all. It was his time to rest. At the end of the second day, I burst into tears. I bit my skin, my lips, until I tasted blood.

    “But this how I grieve,” I started. Evans braced up to listen. While the late gospel artiste, Mrs. Nwachukwu Osinachi’s song, ‘Ikem’, blared from the speakers stationed close to the DJ’s canopy. “My grieving knows no border.”

    When grief pummels me—especially the sudden, unexpected, searing kind—this is how I utterly unravel: First, I go numb. I feel disconnected from the world. But I try not to crack a tear in public, in the presence of people, be they loved ones or strangers. My eyes may glaze over with tears or even flood with them, but I will not let them all out until I am locked up in my room, where I can drown the floor with them, where I can embrace my sorrow, where the walls can witness my irrepressible insanity.

    I withdraw from everything, from everyone; I isolate myself from the world, from its noisiness. I get lost in thoughts, shrugging incessantly, staring into space for too long. Moving with a languid pace as if I’m a leaf blown by the wind, I talk to myself too often, to make sense of my emotions, of reality. I saunter out of my room only at night, when the world sleeps, my pregnant eyes goggling at the night sky, beseeching God to see my crushed and bereaved heart, to teach me the precise language to still the gale rippling inside me, to illuminate the darkness inundating my soul. I trawl for beautiful memories I know will never come forth.

    And even when I will myself to sleep in order to escape the depressing reality, I end up in a forest brimmed with ‘frigid’ memories, the melancholic memories I have always wanted to escape from. They come for me like armies besieging a city, like a termite’s relentless gnawing, and I’m jerked awake with wracking sobs.

    When I’m exhausted, I let my body succumb to its weariness—for it is what grief is: an unending weariness, a stubborn scar, a memento of lost love, a gaping hole that can never be filled, a suffocating cloak, a tangled forest where the barbed branches of sorrow and the shadow of loss enshroud the route to healing. Time and memories do not heal this wound; they can only mask the pain and fester it.

    “I wish I were like you,” Evans said.

    “You don’t have to wish to be like me,” I said. “We are wired differently.”

    I, too, did wish I was like him, that I’m like him—one who is like a rock in turbulent times, unflappable in the face of adversity, one who wears the mask of stoicism and exudes startling strength in the sea of sorrow; but then, the truth be told, those who don’t express their grief are often the ones whose sorrow has drained their joy. They may appear strong, but they are actually the most vulnerable. I’m not saying people grieve better than others; we all grieve differently because we are wired differently.

    If expressing your grief through screaming will bring you solace, go ahead; scream it all out. If you prefer to go stoic, go on, process your emotions in silence. Everyone must be allowed to express their grief, their sorrow, the best way they can authentically do so—without restraint, reserve, ridicule, remorse.

    Author’s Bio

    Nwajesu Ekpenisi is an Ika writer from Delta State in Nigeria. He placed third in the 2023 Alika Ogorchukwu International Poetry Competition and has forthcoming publications with Brigids Gate Press and other publishers. Follow him on X (formerly Twitter): @E_Nwajesu.

  • A Song for Sundays – Vrinda Chopra

    There is only so much that algorithms and memories can tell you. 

    My Spotify tells me that this month Keane’s ‘Somewhere Only We Know’ is the song I have listened to the most. Spotify tells me my mood is mellow, like a Sunday afternoon. What it does not tell me is that I miss my sister. 


    It was a Sunday afternoon late in March. At least, I think it was a Sunday afternoon late in March. I know the marigolds were almost done blooming. It was not yet hot, but the promise of a hot Indian summer was in the air. My sister and I were lazing in my room. In April, we will start a new school semester. But, before then, our days were open and free. I am reading, she is drawing. The new Keane song comes on. We both hum along:  

    I walked across an empty land
    I knew the pathway like the back of my hand
    I felt the earth beneath my feet
    Sat by the river and it made me complete

    We both loved the song. I am not sure why. Maybe it was trending at the time? I do remember that, with time, we forgot about the song as teenagers do until we heard a fresh rendition a few years later–this time on the American Teen TV show, Glee

    We used to watch Glee on Sunday afternoons. Since we otherwise sang straightjacketed songs in the school choir, we enjoyed watching the flamboyant performance of Glee Club singing songs that we would actually listen to. Our Bollywood sensibilities would rejoice every time a character breaks into a song when big feelings come up.

    One of the early–and quite remarkable–songs in the first season of Glee was “Somewhere only we know”. This “version”–popularly known in urban terms as ‘cover’–was younger and brighter in its tonality: the singer clearly enunciating the words, their voices rising above the music. In the original, the music and vocals are deeply enmeshed in each other. 

    We liked the Glee Club cover and soon forgot the original. Now, instead of humming, we sang loudly. It never occurred to me to wonder why this song about nostalgia and weariness was so appealing to us. A response came to me later as the song became the background score of my summer of endless Sun-days in Kashmir. The summer that came after the March my sister passed away. The year I played with a starling. The same year the song, which I had heard a million times, took on new meanings. 


    Headphones on, I am writing to my sister sitting on a bench at the garden’s entry when a flock of mynas (starlings) distracts me. They are pecking at the grass noisily, unmindful of my presence. Annoyed, I leave my letters and walk towards them. The mynas scatter and fly away. Except one.  

    I try to shoo her away like the others. But, as I turn back to the bench, she follows. Curious, I reverse my steps. The myna matches my movements. Again, I try to shoo it away. But I see it waddling back just as I sit down. Maybe it wants seeds or crumbs. I crumble the biscuit I had brought out with me. The myna makes no attempt to peck at the crumbs. Instead, she waddles away and looks back. I follow the myna with the crumbs in hand and somehow, we end up playing tag. After a while, I get tired and the myna flies away. 

    I retreat to the diary of letters to my sister, slipping on my headphones. The following lines are playing

    I came across a fallen tree
    I felt the branches of it looking at me
    Is this the place we used to love?

    My mother’s family home in Kashmir was a summer retreat. V and I loved it there. Just the previous summer, we spent a month at the house as she recovered from the latest rounds of chemotherapy. She and I would sit at the bench where I now sit with the diary of letters to her. We would often feed the birds together, and I would read, while she would practice with her camera—taking pictures of a bent-over rose bush that my mother’s grandfather planted several decades ago. The rose bush was showing signs of life, despite a harsh winter. V, with a camera in hand, was showing signs of life, as well. 

     The old plum tree near the rose bush was dying. “Remember that year,” I ask V, “when you climbed onto the roof of the car reaching for ripe plums.” She smiles and nods, looking a bit drained. “I remember,” she says. 

    I had watched her, terrified she might fall; instructing her to be careful while collecting the plums she had plucked in a basket. But V tells me that she asked me to help her, to look out for her. In remembering the conversation alone, I think, perhaps, I liked the version where I was the one who volunteered to help her—to look out for her.

     I feel tired now. Since every day is a “sun day” in Kashmir, with nothing to do, I take a nap.  

      The next day, the myna returns and our play resumes. When she flies away, I remember a summer of our pre-teen years. There was a war on, in the upper regions of Kashmir, bordering Pakistan: The Kargil war. But, here at the house in Srinagar, we were oblivious. We rarely went outside the boundaries of the house, yet we were thoroughly entertained. We ran around the cars, the porch, the garden playing tag. Older and taller, I should have been ahead of her. But she was fast and athletic. She always caught up with me. 

    Is this the place I have been dreaming of? 

    I write to V, about my memories, about more-than-human encounters, about growing up together. And now having to grow old alone. I am vaguely aware that there were others around, that my grandparents, parents, aunts, uncles and cousins were there with us. Another year, when we returned to Srinagar, we helped our grandfather with a rickety old refrigerator. When it was finally installed, my grandfather took a nap on the couch. His snores matched the loud, robotic hum of the refrigerator. V and I were tickled endlessly, laughing till our stomachs hurt. 

    When I remember it’s just me and her. The whole world fades into the background. The game with the myna was also a private game of tag. Just me and the starling. We play until she flies away. 


    Looking at my Spotify Sound Capsule, I think how Sundays and summers were never the same again. The lazy afternoons are long gone. ‘Somewhere Only We Know’ is now a totem for my yearning to return to a time when nostalgia was not a feeling but a concept. Like you knew the song made you feel something, but you had not yet felt that feeling yourself.

    The music used to only strike a chord and the lyrics were for belting out, imitating a show we watched, imagining our voices to mean something in a world that lay wide open in front of us. Now, the surface notes acquired new depths. Like when you read something at different times and pick up new inflections. Like when you walk across a path enough number of times, it takes on new shapes under your feet. 

    The band Keane, when asked about the song’s meaning, have often responded saying that it is about a place, time and memory that meant something to the songwriter, but it can also be about any place, any time and any memory that might mean something to those who are listening. And I was listening–Is this the place we used to know? Is this the place we used to love?  

    In playing with the myna and writing to my sister with Somewhere Only We Know’ in the background, I conjugated my grief, made new shapes and patterns with it. I carved out some wiggle room to remember the place we used to know, the place we loved—not only a physical space but one I recollected from past summers and Sundays.  


    This could be the end of everything

    So, why don’t we go somewhere only we know?
    Somewhere only we know. 

    The place of my grief is not a place my sister or my Spotify playlist will know. That place sits within me. I make and remake that place as I draw patterns between the times I shared with V, and the times I have not. After 12 years of losing her, my memories are now unsure yet intense. An algorithm reminds me that I miss my sister. What it does not tell me is that, in missing her, I think of Sunday afternoons when life was normal only because that life came before this one—the one I am living now. That life became a level with no apparent way to reach for it, no car to climb onto and pluck moments. In any case, even in memory, it was V on the roof of the car, not me. 

    I am getting tired, and I need somewhere to begin. 

    So, I begin with my song for Sundays as I add texture and depth to an algorithm that knows nothing of my grief but simply reads it as a mood. 

  • “I was told a homosexual is worse than an animal”: The Reality of Queer Teens in Nigeria

    by Nwodo Divine

    • Ikenna, 15, and Osato, 16, were expelled from their respective schools for their queer sexual orientation after they were caught engaging in intimate acts with the same sex. Using their experience, this article investigates the profound suffering of Nigerian queer teenagers.
    • We agreed to use the pseudonyms Ikenna and Osato to protect the teenagers’ identities.

    In a secluded corner of a Catholic boarding school in Benin city, fifteen-year-old Ikenna sat alone, his back pressed against the cold wall of the dormitory. The air was thick with the whispers of his classmates, who had discovered his secret—a secret that, in their eyes, was a sin, an abomination.

    Ikenna had been caught in an intimate moment with another boy, and the repercussions were swift and brutal: expulsion, public shaming, and a call to his parents.

    When his parents arrived, his mother screamed, “What have you done to our family?” while his father silently fumed, fists clenched at his sides.

    When Ikenna recounted his story, his voice trembled, and his eyes looked distant. “They called me fag,” he said, his hands gripping the edge of his seat. “My parents couldn’t even look at me. My mother said, ‘I regret the day I gave birth to you.’”

    Ikenna’s story is far from unique. Across Nigeria, queer teens like him endure profound  suffering, hidden in the shadows of a society that rejects their very existence. The discrimination they face is not just social but institutional, as schools, communities, and even families turn against them. 

    The Roots of Discrimination

    In Nigeria, alternate sexual orientations are criminalized, and societal norms are deeply rooted in conservative religious beliefs.

    These attitudes trickle down, creating an environment where queer teens live in constant fear of being discovered and ostracized.

    But the attitude is even worse towards teenagers; parents often assume that their children are too young to be certain about their sexual orientation, and in some cases, may threaten them with homelessness for not conforming to societal (traditional) expectations.

    I remember speaking with Mrs. Adebola, a mother of three, who told me with a stern face, “If my son ever told me he was gay, I would throw him out of the house. He’s too young to do that rubbish.”

    Her words echo the sentiments of many Nigerian parents and illustrate the harsh reality of the average queer teen living in Nigeria.

    Conversion therapy is another brutal reality for these teens. Sixteen-year-old Osato, speaking with tears in her eyes, recounted, “My parents took me to a counselor to fix me.”

    What they described as ‘fixing’ was actually conversion therapy—an attempt to change her sexual orientation through psychological or physical means. Aisha’s voice shook as she recalled the sessions. ‘I went in feeling bad and left feeling worse. The counselor told me I was confused, misdirected. He said… he said a homosexual is worse than an animal.’

    Conversion therapy is not only ineffective but profoundly damaging. According to a 2019 report by UCLA’s Williams Institute, queer youth who experienced conversion therapy were almost twice as likely to contemplate and attempt suicide compared to their peers who did not undergo such methods. 

    These so-called therapies leave deep mental and emotional scars and reinforce the deceitful message that their very identity is wrong.

    Loneliness is another companion for these teens. The fear of being outed, combined with a lack of understanding from peers and family, forces them to isolate as a coping mechanism.

    “Since they found out, my friends no longer talk to me,” Ikenna said. “One of them told me, ‘You’re disgusting. Stay away from us. Some even blocked my number”

    Once queer teens in Nigeria are caught in the act, their friendships are fraught with mistrust, as even the most innocent relationship can be misread. The result is a pervasive sense of loneliness that eats away at their self-esteem and mental health.

    This loneliness leads to severe mental health issues, including depression and anxiety. It took a toll on Ikenna’s health. “‘Some nights, I couldn’t sleep,’ he admitted. ‘I felt like I was drowning in my own thoughts, but there was no one I could talk to.”

    Queer teens who live in Nigeria often suffer in silence, unable to seek help for fear of exposure.

    The stigma surrounding their identity makes it difficult to find supportive mental health resources, leaving them to navigate their struggles alone.

    Expulsion

    The harrowing experiences of these teens extend from their families into their classrooms. In Nigerian schools, which are expected to be safe environments for young people, students like Ikenna who are found to be gay or exhibit traits not traditionally seen as masculine, face expulsion.

    This punishment sends a clear message: you are not welcome here.

    It informs the teens that their identity is so abhorrent that it warrants exclusion from the very institution meant to nurture their development.

    Too Young To Understand Sexuality?

    Teens in Nigeria are often told they are too young to understand their sexual orientation; too young to be queer. I asked Ikenna’s mother about her thoughts on his sexuality, and she said, ‘I don’t think he knows what he’s doing; he’s confused; he’s still young. Hopefully, he will come to his senses when he grows up.’

    This belief is scientifically flawed. According to Medscape, the education of identities, gender and sexual alike, is not something that can be postponed until adulthood; it is a fundamental aspect of who we are from birth.

    It is equally problematic to assume teenagers cannot form meaningful connections. It is a reductive view that intently dismisses the profound nature of their experiences.

    Adolescence is the age of identity formation. During these formative years, teens explore various aspects of their identities, including their sexual orientation and capacity for intimacy.

    To argue that teens like Ikenna and Osato are incapable of understanding or engaging their sexuality is to overlook the scientifically proven reality that many teens possess a keen awareness of their own biological desires and sociological boundaries. 

    Last words

    Ikenna and Osato’s story—as well as the stories of countless others that we know and hear of—must not be forgotten. Their suffering is real and unjust.

    As a civilised human society, we must not only strive to be a powerful voice that collectively decries the diverse suffering of queer teens in Nigeria, but advocate for their right to be their harmless, natural selves openly–without fear or stigmatisation.  

    These young individuals deserve to live free from fear, shame, and violence.

    Lastly, we must create environments where teens can openly discuss their feelings, ask questions, and receive guidance without fear of judgement or punishment.